{"id":70,"date":"2024-04-04T14:07:36","date_gmt":"2024-04-04T14:07:36","guid":{"rendered":"https:\/\/lensflare.it\/?page_id=70"},"modified":"2025-07-18T10:01:17","modified_gmt":"2025-07-18T10:01:17","slug":"bio-eng","status":"publish","type":"page","link":"https:\/\/lensflare.it\/?page_id=70","title":{"rendered":"BIO (Eng)"},"content":{"rendered":"\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-c3c179cf092ab03e25f70f706f793d0f wp-block-paragraph\">Andrea &#8220;Lensflare&#8221; Debbi has been active on the Italian electronic scene since 2006.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-7942229f276cb7b19339440550663ae5 wp-block-paragraph\">A great fan of Progressive Rock, he continued his personal musical research as a pure user, soon landing on the electronics of the &#8220;German cosmic couriers&#8221; (Kosmiske Music), a genre by which he was dazzled, and feeling the desire to produce his own content in the style of &#8220;Berlin School&#8221;<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-9ff22932c62788a50954d8cfc2d09d21 wp-block-paragraph\">The first beginnings in experimentation in subtractive synthesis date back to the mid-2000s, in the environment of Roman experimental electronics (Techno \u2013 Minimal) at the time in great turmoil \u2013 the F.E.A.R. Festival Elettronica Autoproduzione Romana, with the first edition in 2003, and the broadcast &#8220;The Zone&#8221; of Radio Citt\u00e0 Aperta \u2013 in which, using for the first time the pseudonym Lensflare,&nbsp;&nbsp; self-produces two concepts (Industrial Strength and Moonloop), practically a test of the skills acquired in the use of analog machines, personally creating every single sound and taking care of the multitrack composition, presented in a live event at the &#8220;Dissesto Musicale&#8221; in Guidonia in 2006, as part of the &#8220;Chemical Warfare&#8221; review.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-48f869a2492b29feb4673da27a1c787b wp-block-paragraph\">In 2007, using only VST tools reproducing analog synths from the golden age of the Berlin School genre, he released his first album &#8220;Cronache dalla Galassia&#8221;, abandoning the techno parenthesis and finally dedicating himself, when the time was ripe, to the composition of &#8220;cosmic music&#8221;.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-9c9b0fda56a5d9eb6b761cebe04553f4 wp-block-paragraph\">The work continued steadily in self-production until 2018 when the success in the underground orbit led him to a higher degree of specialization by creating the first concepts with HW machines (Analog Synths and Virtual Analog).<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-238ca58c287f74e30ad783abf3319084 wp-block-paragraph\">The technical research continues with the study of &#8220;parallel&#8221; to subtractive synthesis (Additive Synthesis, FM, Wavetable, WavePWM, Simple&amp;Complex Grain table and Simple&amp;Complex Formant table)<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-4ee32e1406d8b7d302d397699fa6a0c3 wp-block-paragraph\">The work that marks the turning point are the concepts &#8220;La Valle dell\u2019Inferno&#8221; \u2013 inspired by the acropolis of Tivoli and the &#8220;Romantic Garden&#8221; of Villa Gregoriana \u2013 and &#8220;Mount Abora&#8221; \u2013 inspired by Coleridge&#8217;s &#8220;Kubla Kahn&#8221; \u2013 which open the doors to production with the record label NEU HARMONY (London), to the creation of a music archive in liquid form (BandCamp) and distribution on the main world music platforms (Spotify,&nbsp; Tidal, iTunes etc.).<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-e1a3901b564a49f44029d1c2f15d6451 wp-block-paragraph\">Over the years, the positive reviews that have appeared in specialized magazines have been interesting, especially the mentions of Maestro Sylvain Lupari in his blog of synthsequences.com reviews.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-313139e3a24d16760bba0805fee869b1 wp-block-paragraph\">He actively collaborates with the collective &#8220;21st Century Music&#8221; (historical Italian collective of electronic music composers, and well-known fanzine on the genre) participating in 2019 in the sampler &#8220;22nd Century Music \u2013 Electronic Signals from Italy&#8221;.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-b93f3ed23f19d65513c385d995d7ebf4 wp-block-paragraph\">Lensflare continues his production by appearing in programs on the genre on webradios all over the world (SomaFM, Brainvojager etc.), counting on large groups of fans especially in Germany, Poland, Russia and Japan, as well as being a &#8220;commission&#8221; producer of ambient music tracks for clubs and public structures (also live, such as the performance in 2016 for the Concept-bistro &#8220;Komorebi&#8221; for which he makes an entire psybient album).<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-32aa905dae106369f8f088ed667c8149 wp-block-paragraph\">Currently his discography has more than 20 albums released, ranging from Kosmiske Music to the Berlin School (his workhorse), to Psybient and sometimes to Drone Music, inspired by artists of the caliber of Tangerine Dream, Klaus Schultze, Stellardrone, Free System Projekt, Edgar Froese and Steve Roach.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-1565cd8a03075017e74913f9dce8e330 wp-block-paragraph\">In 2023 some of his tracks were selected for the soundtrack of the documentary &#8220;Tivoli e le sue Acque&#8221; for the director of Domenico Parisse<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-6a0bf4396c798900b5a16c1b20c11bab wp-block-paragraph\">in 2025 (July 8th) Lensflare performed live in concert at the Museo Orto Botanico in Rome the concept &#8220;Titanomachia&#8221; in which the two berlin-school suites (La Profezia di Gea &amp; La Caduta di Campe) are enriched by the performance of M\u00b0 Arturo Stalteri at the Acoustic Piano.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-af19e7cb0fdc7181621132abe3fbf6e5 wp-block-paragraph\">the concert was an unpublished absolute preview commisioned by Istituzione Universitaria dei Concerti in Rome.<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-7d9e742aa829da7bee72b25f06b8e2db wp-block-paragraph\">the concert video (by amateur cameraman) is visible at <a href=\"https:\/\/www.youtube.com\/watch?v=gXhZZEvkXVc\">https:\/\/www.youtube.com\/watch?v=gXhZZEvkXVc<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andrea &#8220;Lensflare&#8221; Debbi has been active on the Italian electronic scene since 2006. A great fan of Progressive Rock, he continued his personal musical research as a pure user, soon landing on the electronics of the &#8220;German cosmic couriers&#8221; (Kosmiske &hellip; <a href=\"https:\/\/lensflare.it\/?page_id=70\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-70","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lensflare.it\/index.php?rest_route=\/wp\/v2\/pages\/70","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lensflare.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lensflare.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lensflare.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lensflare.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=70"}],"version-history":[{"count":6,"href":"https:\/\/lensflare.it\/index.php?rest_route=\/wp\/v2\/pages\/70\/revisions"}],"predecessor-version":[{"id":550,"href":"https:\/\/lensflare.it\/index.php?rest_route=\/wp\/v2\/pages\/70\/revisions\/550"}],"wp:attachment":[{"href":"https:\/\/lensflare.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}